By this I mean that we will no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Uchiyama is Origami Owl Locket reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Bateau En Papier Qui Flotte to avoid the complexities of a model achieved solely by folding.
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, however the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent point out of the techniques is Avion En Papier Qui Vole Très Bien Et Longtemps by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has already been used and one can make sure of the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper Avion En Papier Planeur Facile A Faire seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching sculpture rather than Origami.
Fleur en papier
The trimming out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has
called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form organic beef use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.
Bateau en papier
The associated arts Bateau De Papier Musique are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the creature Bateau De Papier and then brought together. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have appeared for folding a dragon from a quantity of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and paper we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe simplest step from your single coloring is one side female and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We